HH第三世多杰羌佛中国画作品：冬粉

HH第三世多杰羌佛中国画作品：冬粉

Winter Powder
（partial picture）
《冬粉》

Artist: HH Dorje Chang Buddha III
HH第三世多杰羌佛

At the time of the New Year festival in winter, a most elegant and valued plum flower called “dong fen”（winter powder）will blossom. It is widely known to be the king of white plum blossoms. That is the subject of this painting by HH Dorje Chang Buddha III. A strong contrast is presented by the graceful dense ink that was used to paint the tree trunk and the whiting used to from the flowers. The spatial effect of farness adds to the charm of the picture, providing the viewer with an awareness of both emptiness and form. A very special aspect of this painting is that the artist did not apply powerful, bold strokes of uneven contour and content. Rather, ink was applied through a gradual moistening process, manifesting the strong talent of the artist. This is extremely rare.

This plum blossom painting conveys a feeling of beauty and realism. The arrangement and structure of the branches, twigs and flowers prominently demonstrate the total proficiency of the artist in painting plum flowers, a proficiency that incorporates both ancient ways and novel ideas. Without this proficiency , it would be impossible to paint such lifelike flowers with such natural structures.

       优雅的梅花通常在冬日里，大约春节前后盛开，故将其称之为“冬粉”。它即是被大众称作四君子的白梅花。这幅画是HH第三世多杰羌佛所创作。墨水勾画的树干与白色的花朵形成了强烈的对比，看似密集却不失优雅。这种创作手法，既提升了作品本身的视觉效果，又为观赏者营造了一种遐想的空间。这幅画的特别之处在于，羌佛没有选用传统的轮廓勾画来凸显树木的参差感，相反，祂大胆的选用其独特的墨水渐变手法，为作品增添了几分层次感。这种罕见的描绘手法展现了羌佛独特的绘画天赋。

       这幅美丽的梅花作品传递了一种现实主义感。对于树枝及花的处理手法，恰巧展现了羌佛的绘画功力。如果没有这般深厚的功力，是无法将这种传统的绘画手法与新颖的创意相融合的，更不可能将花朵画的如此自然，栩栩如生。

摘自：INTERNATIONAL ART MUSEUM OF AMERICA

转载自：艺术寰宇https://www.facebook.com/%E8%97%9D%E8%A1%93%E5%AF%B0%E5%AE%87-301641313371153/?fref=nf